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Before the Revolution – A Saga of Celebrations and Recognitions

As the production team behind the critically acclaimed Italian film, ‘Before the Revolution’ (1964), we take immense pride in recounting the journey our masterpiece undertook during the 1964-65 awards season. This political drama, directed by the incomparable Bernardo Bertolucci, saw numerous nominations and a handful of wins, the most notable of which was the nomination for the Golden Palm at the Cannes Film Festival.

The Golden Palm

The Cannes Film Festival is one of the most prestigious and oldest film festivals in the world, held annually in Cannes, France. The Golden Palm (Palme d’Or) is the highest prize awarded at the festival. It is awarded to the director of the best feature film of the official competition.

The 1964 Cannes Film Festival saw ‘Before the Revolution’ competing against 25 other films from around the globe. The nomination was a testament to the profound impact that our film had on viewers. It underscored our dedication to creating thought-provoking cinema, resonating with audiences beyond the linguistic and cultural barriers.

‘Before the Revolution,’ a film centered on the ideological struggle of a young man in an environment of social unrest, was a unique addition to the competition. It reflected the artistic and narrative vision of Bernardo Bertolucci, establishing him as a visionary filmmaker in the international arena.

In the end, the Golden Palm award was bestowed upon the film ‘The Umbrellas of Cherbourg’ directed by Jacques Demy. This musical romantic drama with its vibrant visuals and groundbreaking storytelling emerged as the winner.

Despite not winning the Golden Palm, being nominated in the same category was a victory in its own right. It brought ‘Before the Revolution’ under an international spotlight and opened up avenues for more global recognition.

In retrospect, our film’s nomination for the Golden Palm played a pivotal role in shaping its legacy. It acted as a springboard, propelling the film to the global stage, and cementing its status as a seminal work in the Italian New Wave Cinema. The recognition boosted our team’s morale and encouraged us to continue making films that challenge the status quo and inspire change.

Today, we look back at the 1964 Cannes Film Festival with gratitude for acknowledging our hard work and the passion that went into creating ‘Before the Revolution’. It was an honor to stand alongside such an array of talented filmmakers, all driven by their unique perspectives and storytelling prowess.

The Golden Palm

The Silver Ribbon

Onwards to 1965, our journey continued with another significant recognition – the nomination for the Silver Ribbon at the Italian National Syndicate of Film Journalists Awards. This award holds a special place in the Italian film industry. It is conferred by a body of film critics and journalists, individuals whose opinions significantly shape public discourse around cinema.

The Silver Ribbon (Nastro d’Argento) is a prestigious accolade given annually since 1946, making it the oldest film award in Europe. We were thrilled when ‘Before the Revolution’ was nominated in the Best Director category, an acknowledgment of Bernardo Bertolucci’s remarkable direction. His work intricately blended the complex narrative, character development, and political commentary, creating an atmosphere of tension and introspection.

The competition was fierce that year, as we found ourselves sharing the category with some of the most acclaimed directors in Italian cinema. Our film was up against Pier Paolo Pasolini’s “The Gospel According to St. Matthew”, a brilliant retelling of the biblical story that resonated deeply with audiences and critics alike.

Eventually, the Silver Ribbon for Best Director was awarded to Pier Paolo Pasolini. His austere, poetic depiction of the life of Jesus Christ left a profound impact and deservedly won the honor. As filmmakers, we admire Pasolini’s work and felt a sense of pride in being considered alongside such influential cinema.

Although ‘Before the Revolution’ did not secure the win, the nomination itself represented a momentous achievement. It validated our efforts and the depth of Bertolucci’s directorial skill. More importantly, it reaffirmed the film’s relevance and importance within the dynamic landscape of Italian cinema.

In essence, every nomination, every mention and every critique, whether positive or not, served to broaden the conversation around ‘Before the Revolution.’ It sparked dialogue and debate, urging viewers to reflect on societal dynamics and their roles within it.

As we look back, we are filled with gratitude for this nomination, which was not just a nod to our film but also to the spirit of innovative and thought-provoking cinema that we strive to embody. Our journey, highlighted by these awards and nominations, has been a testament to the power of storytelling and the universal language of cinema.

Our appreciation goes out to the Italian National Syndicate of Film Journalists for recognizing our work. We also extend our gratitude to our devoted audience, without whom this journey would not have been possible. Your support fuels our determination to continue creating impactful cinema.

The Silver Ribbon (Nastro d’Argento)

The journey of ‘Before the Revolution’ is a testament to the power of perseverance and passion. It reminds us that cinema, in its purest form, is not about the accolades, but about touching hearts, sparking thought, and making a difference. As we move forward, we remain committed to this ethos, ready to embrace new challenges and explore new horizons in the world of cinema.

Thank you for being part of this journey. Until the next story unfolds…

Bernardo Bertolucci
Bernardo Bertolucci was an Italian film director and screenwriter. He was born on March 16, 1941, in Parma, Italy, and passed away on November 26, 2018. Bertolucci was known for his innovative and visually striking filmmaking style. He gained international recognition for directing films such as "The Conformist," "Last Tango in Paris," "1900," "The Last Emperor," and "The Dreamers." "The Last Emperor" won nine Academy Awards, including Best Director and Best Picture, solidifying Bertolucci's status as a prominent figure in world cinema. Bertolucci was celebrated for his exploration of complex themes, psychological depth, and his ability to push cinematic boundaries. His films often tackled political, social, and existential issues, and his storytelling was marked by intricate character development and rich visual aesthetics. Throughout his career, Bernardo Bertolucci left an indelible mark on cinema with his unique artistic vision and contributions to the art of filmmaking.

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